I think schmedly might have programmed the little weird synth arpegiation thing in "Spending Time" (the song). I had a talk with him about what exactly he did on the Ozma record when he toured with them on the Rooney fiasco shows, but I forget exactly what he said. I remember he took credit for "programming", so anything that seems inhumanly fast on that record, he might be responsible for. And at the risk of being off topic, yeah, you self proclaimed huge weezer nerds should reevaluate your titles after missing that bit of trivia. Incidentally, he was a really nice guy, but his bass playing was lackluster. Maybe I'm being too judgemental, but it's hard not to feel ripped when you pay for an OZMA show and see some guy playing root notes. Both him and Nate were really cool though.